Free Lyrics 2026

Aceyalone ~ I Think


I think My name's the reverend deacon minister maximillion speaking to you About the laws of the land and flaws of man See the walls can't stand higher than we can put 'em now can they Anybody need to be saved today Got a 2 for 1 special w/a shave today Now how 'bout i wave the tray and i pave the way To the front of the church i don't really wanna hurt ya But what i really wanted to say was that uh There's something special inside of my mental cargo vessel And it runs on lethal ethyl methane profane Kinda like a flux capacitor But it ain't no passengers It's more like a capsule that snaps so quick Or the rap's so sick or the absolutely Put together each and every link and get me cosmically in sync I think more free lyrics

I think

My name's the reverend deacon minister maximillion speaking to you
About the laws of the land and flaws of man
See the walls can't stand higher than we can put 'em now can they
Anybody need to be saved today
Got a 2 for 1 special w/a shave today
Now how 'bout i wave the tray and i pave the way
To the front of the church i don't really wanna hurt ya
But what i really wanted to say was that uh
There's something special inside of my mental cargo vessel
And it runs on lethal ethyl methane profane
Kinda like a flux capacitor
But it ain't no passengers
It's more like a capsule that snaps so quick
Or the rap's so sick or the absolutely
Put together each and every link and get me cosmically in sync
I think

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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