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Anal Cunt ~ If You Don't Like The Village People, You're Fucking Gay


Jacques Morali wrote the heaviest music ever Glenn Hughes had a deeper voice than Will from Mortician He wore chains before Slayer and Venom Jacques Morali was portrayed by Steve Guttenberg If you don't like the Village people- you're fucking gay If you think Jeff Olson was better cowboy- you're fucking gay If you think Ray Simpson was a better cop- you're fucking gay If you think Y.M.C.A. was their best song- you're fucking gay All death metal songs were ripped off from Village People "Evil dead" by Death is actually "Liberation" from the Village People Will Rahmer looks like he should be in the Village People No, Morbid Florist wasn't a reference to Will Rahmer If you think Death were good after their demos- you're fucking gay If you think rape is wrong- you're fucking gay If you think the holocaust wasn't funny- you're fucking gay If you think of Hellhammer as the drummer of Mayhem- you're fucking gay Y-O-U-R-E-G-A-Y, You're gay more free lyrics

Jacques Morali wrote the heaviest music ever
Glenn Hughes had a deeper voice than Will from Mortician
He wore chains before Slayer and Venom
Jacques Morali was portrayed by Steve Guttenberg

If you don't like the Village people- you're fucking gay
If you think Jeff Olson was better cowboy- you're fucking gay
If you think Ray Simpson was a better cop- you're fucking gay
If you think Y.M.C.A. was their best song- you're fucking gay

All death metal songs were ripped off from Village People
"Evil dead" by Death is actually "Liberation" from the Village People
Will Rahmer looks like he should be in the Village People
No, Morbid Florist wasn't a reference to Will Rahmer

If you think Death were good after their demos- you're fucking gay
If you think rape is wrong- you're fucking gay
If you think the holocaust wasn't funny- you're fucking gay
If you think of Hellhammer as the drummer of Mayhem- you're fucking gay

Y-O-U-R-E-G-A-Y, You're gay

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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