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Ass Ponys ~ Calender Days


When hope is gone We drag the pond And try to look beyond The dead end of summer There's a haze hanging over the town So hide your eyes Ignore the flies And try to act surprised It's the dead end of summer When all of the grass has gone brown Oh, i've been x'ing out calendar days There's a pattern to our time apart Do i still exist In the bottomless pit of your heart Thrown or fell It's hard to tell The baby's in the well At the dead end of summer You better prime the divining rod We'll drink unitl We drink our fill There's all this time to kill At the dead end of summer With the bugs singing louder than god more free lyrics

When hope is gone
We drag the pond
And try to look beyond
The dead end of summer
There's a haze hanging over the town

So hide your eyes
Ignore the flies
And try to act surprised
It's the dead end of summer
When all of the grass has gone brown

Oh, i've been x'ing out calendar days
There's a pattern to our time apart
Do i still exist
In the bottomless pit of your heart

Thrown or fell
It's hard to tell
The baby's in the well
At the dead end of summer
You better prime the divining rod

We'll drink unitl
We drink our fill
There's all this time to kill
At the dead end of summer
With the bugs singing louder than god

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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