Free Lyrics 2026

Bangles, The ~ Glitter Years


(m. steele/d. white) Michael Denny was working it real hard Down sunset boulevard Back in 1973 Why would he bother going home His parents left him on his own Who knows Maybe they were out getting stoned I don't really know How we survived the glitter years What did we do it all for Do you remember the glitter years We were the lost and lonely ones We hid in the discotheques all night long Till we could see the morning sun Denny was king, he'd rock the place Dressed like a working girl form Outer space He was dancing like he wanted to dance His life away In december of '74 denny wrecked His father's car Driving home that night he was singing You better hang on to yourself more free lyrics

(m. steele/d. white)
Michael

Denny was working it real hard
Down sunset boulevard
Back in 1973
Why would he bother going home
His parents left him on his own
Who knows
Maybe they were out getting stoned

I don't really know
How we survived the glitter years
What did we do it all for
Do you remember the glitter years

We were the lost and lonely ones
We hid in the discotheques all night long
Till we could see the morning sun
Denny was king, he'd rock the place
Dressed like a working girl form
Outer space
He was dancing like he wanted to dance
His life away

In december of '74 denny wrecked
His father's car
Driving home that night he was singing
You better hang on to yourself

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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