Free Lyrics 2026

Murderdolls ~ Die My Bride


Well I’d rather cut you than the wedding cake And your blood cuts on my rented tux And I do, I do, I do wanna kill you Til dead do us part, I’ll tear us apart Now I kiss your cold dead lips And I dip my chips in the blood that drips And I smear the cake in your face Let our God take you to a better place [pre-chorus] Well I loved you to death Well I loved you to death [chorus] Die, die, die, Die my bride And all you ever meant to me Was absolutely nothing And with this ring now I the wed Don’t wanna kiss you bitch, wanna bash your head [prechorus, chorus] more free lyrics

Well I’d rather cut you than the wedding cake
And your blood cuts on my rented tux
And I do, I do, I do wanna kill you
Til dead do us part, I’ll tear us apart

Now I kiss your cold dead lips
And I dip my chips in the blood that drips
And I smear the cake in your face
Let our God take you to a better place
[pre-chorus]
Well I loved you to death
Well I loved you to death
[chorus]
Die, die, die,
Die my bride

And all you ever meant to me
Was absolutely nothing
And with this ring now I the wed
Don’t wanna kiss you bitch, wanna bash your head
[prechorus, chorus]

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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