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Brian Eno ~ Driving Me Backwards


Ohohohohohohoh oh
Doo doo doo doo doo doo dah
I'll be there.


Oh driving me backwards
Kids like me
Gotta be crazy
Moving me forwards
You must think that i'm lazy
Meet my relations
All of them
Grinning like facepacks
Such sweet inspirations
Curl me up
A flag in an icecap
Now i've found a sweetheart
Treats me good just like an armchair


I try to think about nothing
Difficult
I'm most temperamental
I gave up my good living
Typical
I'm almost sentimental
Ah luana's black reptiles
Sliding around
Make chemical choices
And she responds as expected
To the only sound
Hysterical voices
And you - you're driving me backwards
Kids like me have gotta be crazzzzzy i-i-i-i-i-i-i
Doo doo doo dodoo dodah i'll be there


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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