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Chely Wright ~ He Don't Do Bars Anymore


(chely wright/dale dodson/jimmy melton) All the boys he played cards with Couldn't wait til he came But they haven't seen him Since i got his last name He plays at home now And he always wins Those swingin' doors Don't do nothin' for him Cause he don't do bars anymore That ol' jukebox Don't turn him on like before We dance to our radio On our own hardwood floor No he don't do bars anymore He used to sit on a barstool Keepin' sad company Now he lays on the couch And he watches tv When he's wrapped up in my arms He knows what he's found So don't bother askin' For him to come 'round Cause he don't do bars anymore That ol' jukebox Don't turn him on like before We dance to our radio On our own hardwood floor No he don't do bars anymore No he don't do bars anymore more free lyrics

(chely wright/dale dodson/jimmy melton)

All the boys he played cards with
Couldn't wait til he came
But they haven't seen him
Since i got his last name
He plays at home now
And he always wins
Those swingin' doors
Don't do nothin' for him

Cause he don't do bars anymore
That ol' jukebox
Don't turn him on like before
We dance to our radio
On our own hardwood floor
No he don't do bars anymore

He used to sit on a barstool
Keepin' sad company
Now he lays on the couch
And he watches tv
When he's wrapped up in my arms
He knows what he's found
So don't bother askin'
For him to come 'round

Cause he don't do bars anymore
That ol' jukebox
Don't turn him on like before
We dance to our radio
On our own hardwood floor
No he don't do bars anymore

No he don't do bars anymore

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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